DEUX FOIS

“An intentionally elementary meditation on certain primary functions of film, that could be said to be at the roots of film editing as such – expectations, exploring the picture, perceptual memory, relationships between on-screen and off-screen space – all explored in a series of free-standing sequence shots of perfect simplicity.” –Noël Burch

“This cinema ‘au feminin’ reminds us what the imperialist eye had repressed: different modes of editing impulses; what is seen and heard alters our perspective.” –Serge Daney, CAHIERS DU CINéMA

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