FOR THE STREETS

FILM · SCREENINGS & EVENTS·FTS 76· PAST

Ballet — Wiseman’s New York

UnionDocs, Ridgewood

352 Onderdonk Avenue, QUEENS

Ridgewood, Queens

$10.00

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Ballet — Wiseman’s New York

[vc_row][vc_column width=”1/2″][vc_column_text css=””]Doors 6:30p

Program 7:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text css=””]UnionDocs

352 Onderdonk Ave

Ridgewood, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]

We’re delighted to present a special screening of Frederick Wiseman’s Ballet (1995)! This event is part of our 10 day program,  Wiseman’s New York, where we invite participants into an immersive survey and set of seminars on Wiseman’s New York films alongside visits to the institutions, neighborhoods, and civic spaces they document.

Over the course of his six-decade career, the late, great filmmaker Frederick Wiseman returned to New York more than any single location. He made nine films in the city. In early works like Hospital (1969) and Welfare (1975), he addressed the plight of some of the city’s most vulnerable residents. Later films show a city in the midst of transition, including creeping gentrification in In Jackson Heights (2015) and a public library system redefining its purpose in an era of digitization in Ex Libris (2017).

Ballet is a profile of the American Ballet Theatre, an important classical ballet company. The film presents the company in rehearsal in their New York studio and on tour in Athens and Copenhagen. Choreographers, ballet masters and mistresses are shown at work with principal dancers, soloists and the corps de ballet. Other sequences involve the administration and fundraising aspects of the company.

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Program

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Ballet

[/vc_column_text][vc_column_text css=””]1995, 170 MINUTES, COLOR[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text]

Watch the conversation between Presenter1, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub.

[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text]

Bios

[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”164166″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Genevieve Yue is an associate professor of culture and media at The New School. She is an independent programmer and the author of Girl Head: Feminism and Film Materiality (2020) and Trains, which will be available in fall 2026.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text]

From the Event

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